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In these photographs I see lots of colors , patterns, nature, sky, buildings, planes, and houses. If I had to tell what these landscapes, look like to a person who hasn’t seen my images I would say that I took the images around Thomas Tallis school. I took these images on the outside stairs and in the school playground. Most of my photographs are the brick buildings of the school and outside of the school, for example - lamps, Kidbrooke block of flats, planes, sky, the sun, church and residential houses. For the equipment I used the schools Canon Camera. For the techniques I used different angles. |
EBI:
I think that these photographs are very successful because it has all the formal elements. I think that other people would say that I work is amazing because is has really nice colours, patterns and contrasts. I would remember the planes because of when I was younger I would be travelling with my family to see my grand parents. I have learnt how to zoom really far with the camera and getting different types of angles. For improvement I wish that the camera could have the viewfinder so that I can see what I am searching for when to zoom in the photograph. |
Dafna Talmor:
Dafna Talmor is an artist and lecturer based in London whose practice encompasses photography, spatial interventions, curation and collaborations. Her photographs are included in public collections such as the Victoria and Albert Museum, Deutsche Bank, Hiscox and in private collections internationally. Talmor's work is included in Look at This If You Love Great Photography by Gemma Padley (Ivy Press 2021), Post-Photography:The Artist with a Camera by Robert Shore (Laurence King Publishing 2014) and Alternative Photographic Processes:Crafting Handmade Images by Brady Wilks (Focal Press 2015) and has been featured in publications such as Architectural Review, Paper Journal, c4 journal, American Suburb X, 1000 Words, Elephant Magazine, Camera Austria, ArtReview, IMA, BJP, Hotshoe, GUP, Photomonitor, Artra and BLOW. Her first monograph - Constructed Landscapes - published by Fw:Books was released in October 2020 and longlisted for the 2021 Kraszna-Krausz Photography Book Award. |
"The mirror is, after all, a utopia, since it is a placeless place. In the mirror, I see myself there where I am not, in an unreal, virtual space that opens up behind the surface." - Dafna Talmor
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For this task on Sunday 12th of June 2022 me and my family went on a day trip as a treat for my dad's birthday and my mum thought it would be really nice to go to Hever Castle. I thought I would take photos of the Hever Castle as my homework for photography. I am really proud of the photos that I took in Hever Castle because when I edited the photos it turned out more stunning then how it was before. Some of the photos look like a wallpapers I am very proud of myself. I used my dad's Nikon camera for the photographs that I took and edited them on iPhotos, so that they look more detailed. I used different types of angles e.g. I was siting under he tree and taking it as a up view, zoom in photos, wide range, and landscape photos. |
EBI:
I think it turned out really well because I used architecture, nature and animals in my photographs, I am really happy how they turned out. I think people would say my work is stunning because I used different range of genres and different type of angles. I would remember the dragon flies because when I took those images of the dragon flies I was sitting on the floor and waiting patiently so that they are on the lily pad, it was very stressful but exciting to capture the right moment so that they are on the lily pad. I have learnt to wait patiently and I used different types of angles, textures and patterns. |
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In these photographs I see lots of nature, wildlife, trees, sky and clouds, sun, plane, buses, flowers, bridge, water, gate and building. I used my dad’s Nikon Camera to capture these photographs and then I edited them on iPhotos. I used close-up angle, wide angle, and medium angle. These photographs remind me of when I was in Czech Republic, when I was in the mountains. I think that the sun and the sky with the trees interests me the most because it gives a cool effect. |
EBI:
I think that the images are very successful because it has a lot of nature and wildlife but also architecture too. I think that people would really like my work because I used different type of angles, nature and wildlife. I think that bridge is worth remembering because it gives a lot of pattern and shadows. I have learnt to use different angles. |
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In these photographs I see trees, sky with clouds, lamps, buildings - houses, flats that are being built, grass, leaves, persons and ping pong table. I used the schools Canon Camera to take photos of bad landscapes. I used bad angles, and portrait. These photographs remind me of when I was going for a walk with my dogs. I really like the lamps because it looks like there is a duplicate of the lamps and the low view of the tree. |
EBI:
If I had to give a title for one of these images I would pick the last one and I would call it: The Duplicate Lamps. I came up with this title because there are loads of lamps lined up in the same angle. I think that it isn’t a successful image because it has the wrong angle because it isn’t straight. I think that maybe people would like it but also no because of the angle of the photograph. I have learnt how to take bad images but taking wrong angles and portrait mode or blurry images. |
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In these photographs I had to pick a photo from the landscape homework and I printed it out on A4. Then I scalped the most interesting and textured shapes from the image that I took in Hever Castle. After that I took images with the Canon Camera with the scalped image and a landscape background. I learnt how to take photos with a scalped image. I used a low angle and a high angle with the Canon camera. These photographs remind me when I was in a forest with my family and my dogs. I captured this image with the sunlight. I really like the image that I took and I like how I scalped the shape in the image. |
EBI:
I think it is a successful photograph because it really stands out with the background. I think people would like these photographs because there is a lot of colour and interesting shapes. The worth of remembering these photographs is the shape that I scalped and the sky with cloud background. In this work I learnt how to combine with a scalped image and a landscape background. |
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In these photographs I see lots of constructive landscapes, people, portrait, patterns and textures. The equipment that I used were my iPhone 11 to take photos of the photographs in the V&A Exhibition. The techniques that I used were to u se the right angle- straight to take photos of the photographs. It reminds me of when I am at home or when I went in a cave with my dad and my middle sister. |
EBI:
I think the images that I photographed are very successful. I think people would like the photographs that I took because they are very professional and the photographs that I took are at the right angle. I would remember the landscapes because it looks like I have been there but in a different place that I have been. I have learnt to see different types of images that I haven't seen. |
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In these photographs I took photos of landscapes near to the V&A Museum. I see big buildings with different colours and sizes, restaurant, houses, flats, nature, sky, lamps, and vehicles. I used my iPhone to take the images of the landscapes. I used different angles to take these images of landscapes. These photographs that I took remind me of when I was a child, me and my mum went to museums in London. I really like the big building of the Natural History Museum, it looks like a big palace or a ginormous library. |
EBI:
I think that photographs that I took are very successful because I used different angles to take these images. I think people would love these photographs because they are very colourful and it has different angles. I think I would remember the Natural History Museum because I have been their since I was a child. I have learnt how to take photos in the city and I explored how to take picture of buildings. |
Rinko Kawauchi is a celebrated Contemporary photographer, known for her poetic depictions of everyday life, soft palette, and carefully edited photobooks. Born in Shinga, Japan, she went on to study photography and graphic design at the Seian University of Art and Design, graduating in 1993. Kawauchi's art is rooted in Shinto, the ethnic religion of the people of Japan. According to Shinto, all things on earth have a spirit, hence no subject is too small or mundane for Kawauchi's work; she also photographs "small events glimpsed in passing," conveying a sense of the transient. Rinko uses a camera: Olympus OM-D E-M1 Mark II. She currently lives and works in Tokyo, Japan. Today, Kawauchi's works are held in the collections of the San Francisco Museum of Modern Art, the Huis Marseille in Amsterdam, and the Tokyo Metropolitan Museum of Photography, among others. Rinko is from Shiga, Japan.
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"It's not enough that [the photograph] is beautiful. If it doesn't move my heart, it won't move anyone else's heart." - Rinko Kawauchi
Dionne Lee works in photography, collage, and video to explore issues of power, survival, and personal history in relation to the American landscape. She received her MFA from California College of the Arts in 2017 and has exhibited at the Museum of Modern Art, NYC; New Orleans Museum of Art; Aperture Foundation, NYC; Silver Eye Center for Photography, Pittsburgh; Et Al., Oakland; and the San Francisco Arts Commission, among others. Lee is a 2022 Artist-in-Residence at The Chinati Foundation and Unseen California. Lee is currently a Post-MFA Fellow at The Ohio State University and living on the unceded territories of the Shawnee, Potawatomi, Delaware, Miami, Peoria, Seneca, Wyandotte, Ojibwe and Cherokee peoples. You may learn which Indigenous lands you live on at native-land.ca, about paying a voluntary land tax, and reparations for Black farmers. |
The Infinity series is an extensive body of work that Bill Armstrong has been photographing since 1997. It includes a wide range of portfolios, from figurative to abstract, that are made using his unique process of photographing found images extremely out of focus with the camera’s focusing ring set at infinity. The unique process of appropriating images and subjecting them to a series of manipulations—photocopying, cutting, painting, re-photographing—transforms the originals and gives them a new meaning in a new context. Extreme blurring makes the edges within the collages disappear, so the photographs appear to be seamless, integrated images. This sleight of hand allows the artist to conjure a mysterious tromp l'oeil world that hovers between the real and the fantastic. It is a world just beyond our grasp, where place may be suggested, but is never defined, and where the identity of the amorphous figures remains in question. It is a world that might exist in memory, in dreams, or, perhaps, in a parallel universe yet unvisited. |
"I never wanted to make portraits - to photograph celebrities, beautiful people, beautiful landscapes, beautiful buildings, or people in distressing situations.... I have always been interested in everyman - average, ordinary people in everyday situations." - Ray K. Metzker
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In these photographs that I took, I see materials in front of the landscape background behind and some materials are transparent. In these photographs I can recognise that I put materials in front of the lens camera and took photos with the landscape behind the materials. The things that seem new to me is using the materials that I made, with the landscape background behind. The equipment that I used were scissors, sellotape, Glossy images, big hole puncher, small hole puncher, colourful filtered paper, orange paper, I used the big hole punched circles onto another image, see through image, and Bridge Canon Camera. The images that have whole circles on it reminds me of when I look through a viewfinder in my dad's camera. These images interest me the most because it is completely different from what we were doing in any other topic I have done in photography. |
EBI:
I think these images is very effective because it links to Pictus Interruptus. I think other people would be very pleased with my photos that I took from Pictus Interruptus.I think these images I have took would be worth remembering because each one I took is unique and looks completely different. I have learnt to pick different materials and collaged them onto images with different materials. I also, made photographs with the materials that I picked and the landscape background on. I have also learnt how to experiment with the lens on the camera, making in focus on the landscape background and the materials on out of focus. |
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In these photographs I see a lot of shapes, colours and landscapes. In these photographs I recognise the projection of the images and picking the best images from Pictus Interruptus. The things that seemed new to me were using the projector, connecting the projector to the laptop by putting a cable in the laptop. I learnt how to experiment with the chairs by moving them about in the middle, in front of the projected image and used the rectangular boards as portraits or landscapes to put on the chairs either on the chair or leaning the board against the chair on the floor. The equipment that I used were: Laptop, Camera, the cable of the projector to connect to the laptop, the favourite images I took from Pictus Interruptus, material - experimented with the lens from the projector by using different angles, chairs, rectangular boards, I asked people to help me experiment with the rectangular boards with different angles. This reminds me of when we did the collage with images from a magazine and from photography books and I got inspired by Dionne Lee's work. The images that interests me the most about my work are the colours and the experimentation that I used with the chairs and the rectangular boards. There was a good amount of space in these images. The part that strikes me the most in these photographs are the rectangular boards because it looks like each board has a different story going on. |
EBI:
I think these images are very successful because it looks like a big collage in one picture. I think people would be amazed by this work because it looks like each projection has a different story behind it. I think that these images are worth remembering because each image is very successful and interesting to look at, it's like you're trying to figure what each picture is about. In this lesson I have learnt how to experiment with the chairs by moving them about and using the rectangular boards in different positions. |
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In these photographs I see landscapes that have been constructed into collage. I also, see edits of Picsart. The equipment that I used in these photographs were my iPhone 11, Picsart to edit the photographs, Nikon Camera, Paper – colourful, Sellotape, scissors, ruler, colouring felt tip pens, hole puncher, string, the printer, fabric for the background of the display collage, white gel pen, book to hold the string connected to the picture in the display collage of aircrafts, two mirrors for the display collage, and torches. The techniques that I used for the display collages were to take different angles with my phone and close ups. The things that seem new to me were the Picsart edits and the display collages. The Photograph of the church reminds me of when I did the slide-coloured paper negatives, and I also used the projection to see the slide paper negative bigger. Also, the display collage in black and white reminds me of an image of fabrics that I have seen before. The images that strike me the most was the display collages because it looks like from an image that I have seen before. |
EBI:
I think all the images that I have done are very successful because it took a long time to finish the project of the booklet. I think other people would be stunned from the booklet that I have made to do with Constructed Landscapes because they might of think it was from a photographer who have done this work. I think that these images are worth remembering because each one has a story behind it and all the images are remarkable. I have learnt how to use Picsart with shapes and also how to set up a display collage in 3D. |
Anastasia Samoylova:
Anastasia Samoylova (b. 1984, USSR) is an American artist who moves between observational photography and studio practice. Her work explores notions of environmentalism, consumerism and the picturesque. Recent exhibitions include Eastman Museum; Chrysler Museum of Art; The Photographer's Gallery; Kunst Haus Wien; HistoryMiami Museum; and Museum of Fine Arts, Le Locle. In 2022 Samoylova was shortlisted for the Deutsche Börse Photography Foundation Prize. Her work is in the collections at the Perez Art Museum Miami and Museum of Contemporary Photography Chicago, among others. Published monographs include Floridas (Steidl, 2022) and FloodZone (Steidl, 2019). |
Brea Souders works in photography, writing, painting, collage and installation, often blending digital phenomena with physical objects. Her work explores notions of the human body, the psychological imprints of technology, existential quests, autobiography and the enduring cardinality of the natural world. Much of her work combines close observation and research with an active embrace of accidental occurrences and chance discoveries. Recent projects depict traces of human journeys through natural settings, which are in turn set against the backdrop of a culture where we may never presume to be off-camera or out-of-network. Her work often focuses on the slippages of understanding in machine intelligence that inadvertently mirror parts of ourselves back to us, including our histories, current realities and future possibilities.
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I made this collage by using plain paper, black paper, scissors and glue. I got inspired by Liz Nielsen’s image Gardening With You, and I used google to look at the landscapes. There I picked a mountain view with trees and a lake. I used my white paper as a background and used the black paper as the detailed landscape. I experimented with different shapes, lines and patterns which link to the photography concept 5 - photographs are abstractions, shaped by technology. I was influenced by Liz Nielsen's work, experimented with my work and used the darkroom to make a photogram as inspiration of her work. |
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In these photographs I see different type of landscapes to places that I've been to and I see different colors and mirror reflections. The things that seem new to me is making a collage onto the wall and experimenting with folds. Also taking photos with reflections from the mirror. The equipment I used was: glue, scissors, magazine images, images of my holiday, colored paper, white gel pen, Sellotape, black paper, torches, mirror, and sheet. The techniques that I used were experimenting with the torch and used different angles with my phone. The first collage reminds me of when I went with my family on holiday to Dorset for the first time. |
EBI:
I think that these collages are very effective because each collage represents the holidays I've been to. I think other people will love my collages because it could remind them of the holiday that they have been too. I think that these collages I made should be worth remembering because I'm trying to figure what is happening in the collages that I made. I have learnt how to use different angles with the phone and using the torch in different places. |